Squam Art Workshops Day 2: Graceful Transitions

morning sky over Squam Lake

Workshop: Graceful Transitions

Teacher: Helene Finizio

Key materials: a notebook, a pen and an open mind (and heart!)

What I learned: there's a relatively new branch of psychology called "positive psychology" that - and this is my simplified interpretation - focuses on enhancing what works vs. fixing what doesn't; family, home and community play a major part in my reason for being and a call to love freely will drive many of my life decisions; I have trouble coming up with a list of things I love about myself; group energy can be very healing and powerful; it is humbling and a privilege to witness healing in others

~~~

I chose this session because of my last-minute decision to register. Had I registered early on I probably would've chosen something else, but at such a late date my initially preferred class was full. Turns out at the time of registration I was smack dab in the middle of a struggle involving a major life change so a workshop called Graceful Transitions naturally caught my eye.

Thank goodness for serendipitous chains of events.

This session with Helene and the group was intense and powerful - "like months of therapy in a day" I heard someone say.

Helene does what she does very. well.

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Tomorrow, back to painting for Day 3...

Squam Art Workshops Day 1: Layered Lines

l'air gamine

images are transfers from 1950s Chatelaine magazine and clip art

Workshop: Layered Lines

Teacher: Diana Fayt

Key materials: graphite and charcoal pencils, oil pastels, heavy weight drawing paper, chalk pastel for image transfers, brushes and Turpenoid Natural for blending the oil pastel colours, gouache for finishing touches

goddess

line art is an image transfer from my 2005 mandala series

What I learned: how to paint with oil pastels - they were a new medium for me; how to transfer an image from one piece of paper to another using a chalk pastel and a pen (soooo easy!); how to let go of the final outcome and focus on practice & learning how to work with the materials; to persevere

I was unsure of my ability to produce anything I liked in this class since my imagination and drawing skills weren't quite sharpened, but thanks to an easy-peasy image transfer process Diana taught us I managed to come up with something of which I'm proud. Diana also taught us to not be afraid to colour over lines and that not everything has to be realistic. Hair can be blue. Really.