Matisse Monday: Miscellany

{This is the third in a series of Monday posts dedicated to Henri Matisse, part of a self-learning experiment dedicating the month of April to his study. As always, I invite you to take what you like and leave the rest. For the rest of the posts click here.}

I'm taking in so much information during this self-learning experiment that it's hard to choose what to share here and even harder to put it all together into a cohesive post. Hence today's Matisse miscellany, a mish-mash of interesting-to-me morsels gleaned from the mish-mash of books and Websites I've been reading.

 The Dancer, from my 2005 Mandala line art series

Matisse-inspired art without even knowing it!

Et voici, the promised morsels...

Initial attempts at art training foiled. Matisse's initial attempts at art school didn't turn out so well. One of his first teachers at the Académie Julien said he couldn't draw and soon after, Matisse failed an entry exam to the École des Beaux-Arts in Paris. Finally he was noticed by a less stodgy Symbolist painter, Gustave Moreau, who knew a good thing when he saw it and brought him into his studio. The rest is history. The moral of this story? Persist and the right person will come along!

The Cone Collection. Many of Matisse's works were donated to the Baltimore Museum of Art by the Cone sisters, Claribel and Etta. Friends with Gertrude Stein, they met Matisse on a visit to Paris and became fans of his work; throughout his career they collected "42 oil paintings, 18 sculptures, 36 drawings, 155 prints, and seven illustrated books, as well as 250 drawings, prints, and copper plates from the artist’s first illustrated book, Poésies de Stéphane Mallarmé." The Cone collection also includes pieces from other artists like Picasso, Cézanne and Gauguin. For more information check out the Museum's Website.

Blue Nude (Souvenir de Biskra), Matisse, 1907

Albert Barnes and the Barnes Foundation. Again, another important collection of Matisse works and hundreds of other Impressionist, Post-Impressionist and early Modern paintings by folks like Picasso, Cézanne, Degas and Monet - all housed in the US. Located in the Philadelphia area (Merion, PA), the Barnes Foundation hosts a series of galleries and an arboretum; read more about it here. Definitely a must-see if you're in the Philly area!

Multi-Creative. Matisse was a man of many talents: painter, sculptor, illustrator, printmaker, writer... When he got tired of painting he switched to something else. Often his sculptures would become fodder for paintings later on. Evidently creativity builds on creativity.

La Serpentine, Matisse, 1909

Big drawings, big pencil. Finally, I love how Matisse improvised to meet the task at hand. When drawing big images on the studio wall, he created a big pencil by attaching a piece of charcoal to the end of a long stick!

Matisse drawing big, 1950

That's it for today's meli-melo. Stay tuned for another Matisse-related post or two before the month end...

Art-making Mantra #3: Just Play

"Curiosity gets us further than curriculum. Serious art requires serious play - and play, by definition, is anarchic, naughty."

~ Julia Cameron, Walking in This World

Every time I channel this mantra I hear the sing-song voice of my first abstract painting teacher: "Just play", she'd say when I got too stressed out about a particular piece.

What does that mean?

the result of anarchic, messy, play - a piece in progress

In the context of working on a specific project, it means loosening up.

Play is letting the brush dance lightly on the canvas to the chaotic rhythms of Coltrane. It's spending half an hour following the evening sun with your camera, guided only by shadows and light. It's making wild and crazy marks on the page with your palette knife because it feels good.

Play means not thinking, not trying, not striving. It means suspending the censor and not worrying about where the piece is going. There'll be time for that later.

Play means being in your creativity.

Art-making Mantra #3: Just Play.

How could you let yourself play in your art today? Whatever your medium, I dare you to let your brush dance.